Ford St Publishing
Sharing poetry with kiddos is one of my favourite things to do – and even the ones who kind of screw their noses up at first really get into it with the right selection. This will definitely be one of those and I know that many teachers will want to get their hands on it to add some pep to their poetry units.
Harry Laing has compiled a fabulous collection that is fun-filled with catchy rhythm and rhymes, chants, raps, word play, shape poems and more. The illustrators are a stellar cast of our best and brightest in the business, eighteen in all, making this a feast for the eye as well as the ear.
Whether it’s a yummy food poem about cheese or pizza or a city of chocolate or an introduction to some insect life like ants or termites or even a flea this has something to appeal to all children.
There will be many opportunities for kids to get up and use their hands or feet to clap to the beat and no doubt will quickly decide on their personal favourites.
If you are looking to give your poetry collection some updating or purely for the joy of it, this will make a valuable addition and is highly recommended for children from around 7 years upwards.
Shortlisted 2019 – Speech Pathology Australia Book of the Year
Allen & Unwin
Imprint; Allen & Unwin Children
Along with many others a new work from Shaun Tan sends a frisson of expectation and the promise of delighted awe through me and The Singing Bones is no disappointment. From the first ‘picking up’, feeling the sleekness of the stylish binding to the leisurely inspection of each sumptuous spread, this is a volume that can be described without hesitation as a visual and tactile feast for any reader.
A foreword from Philip Pullman and introduction by Jack Zipes, leading scholar of fairy tales, herald page after page of a book inspired by the work of legendary story collectors – and librarians! – Jacob and Wilhelm Grimm (the Brothers Grimm).
Rather than simply retelling the stories Shaun Tan has chosen to focus on what might be described as the ‘kernel’ of each tale; seventy-five of the Grimm’s collected folk stories in all are included. An annotated index summarises the plot of each. Stories familiar to us all such as Rapunzel, The Sleeping Beauty and Red Riding Hood are joined by far less well known tales, allowing readers to more fully appreciate the immense body of work undertaken by the two German brothers in their lifetimes.
To accompany each tale, Tan has created the most amazing sculptures of small figures which Pullman describes as “perfect realisations of the strangeness of the characters they represent”.
In an explanation at the end of the book, Tan relates how this project evolved and provides more details on his webpage (link above). When the book was launched earlier this month, it was accompanied by an exhibition of the sculptures – cue envy of Melburnians at this point! I think those of us in other states would like to hope we might also have the opportunity at some stage to see this stunning display of artwork. Apparently attendees were invited to create their own little figures in clay – a super idea for your library! I recall doing this same thing with Shaun’s little white creature from The Arrival with some brilliant results from students.
I have shown this book to several colleagues today and all have exclaimed over the ‘beauty’ of it – both presentation and contents. We are already discussing adding this to our Readers Circles titles for 2016 as it is such a unique work. With amazing synchronicity it also arrived in our box of standing orders this morning, so will shortly be prominently displayed in our library.
I know this will need no recommendation to you all but regardless; I cannot endorse it more fulsomely. It is truly special and a book to be treasured! While I do believe fairy tales are for everybody, your teenies might find these a bit sophisticated so probably around Middle Primary and up would be my recommendation.
(Watch out for this to be an award winner!)